Vladimir Chernov präsentiert: NICOLE TAYLOR, Sopran und NATASHA MARIN, Klavier
KONZERT 26 Juli, 19:30 Uhr Payerbach Hauptstrasse 2
Werke von Strauss, Hahn, Liszt, Weill, Wagner und Afro- Amerikanische Spirituals
Vladimir Chernov präsentiert: NICOLE TAYLOR, Sopran und NATASHA MARIN, Klavier
KONZERT 26 Juli, 19:30 Uhr Payerbach Hauptstrasse 2
Werke von Strauss, Hahn, Liszt, Weill, Wagner und Afro- Amerikanische Spirituals
West Coast Premiere on June 16 at UCLA Schoenberg Hall
LOS ANGELES – Pianists Natasha Marin and Gerald Robbins announce an exciting collaboration, which launches this summer with a concert at UCLA Schoenberg Hall on June 16 followed by a performance this fall at Carnegie Weill Recital Hall in New York.
The West Coast premiere showcases works by 19th-century quintessential romantic composers. The hour-long program opens with Anton Arensky (Silhouettes Suite op. 23) and Johannes Brahms (Variations on a theme by Haydn, op. 56b). After intermission, the performance continues with Sergei Rachmaninoff (Suite No.2 op. 17) and Camille Saint-Saëns (Variations on a theme by Beethoven op. 35).
Natasha Marin & Gerald Robbins
Piano Duo in Concert
Saturday, June 16 @ 8:00 PM
UCLA Schoenberg Hall
445 Charles E. Young Drive East, Los Angeles, CA 90095
TICKETS available at http://bit.ly/marin-robbins-piano
PARKING $11 in Lot 2 (enter at Hilgard & Westholme) • www.ucla.edu/maps-directions-parking Doors open at 7:30 PM • INFO (213) 537-4483 • www.natashamarin.com
Natasha Marin (piano), Modesto Marcano (violin) and Oderlyn Guttiez (flute) presented a chamber music program by composers from Germany, France and Mexico for the ” Music Map of the World” concert series at the Gable Theater Stage in Coral Gables, FL.
“Pianist Natasha Marin, whose impressive pianism had the audience at the edge of their seats at an SCO chamber concert last month, was guest soloist in Johann Sebastian Bach’s Brandenburg Concerto No.5”
“Marin’s muscular, golden tone and her handling of the first movement’s cadenza were breathtaking. Managing to balance pianistic flair with musical intelligence, Marin’s playing of the cadenza was at once a dazzling showstopper. After the work came to its close, the audience leaped to its feet in a much-deserved standing ovation.”